"They're just 'Hammers & Nails', man..." Jan. 2012

My gear used to cover Boys HS Varsity swimming between Monroe-Woodbury & Kingston High Schools at Monroe-Woodbury Middle School in Central Valley, NY on Tuesday, January 17, 2012. © www.chetgordon.com/blog

Now that covering the indoor sports seasons are finally in full swing for me again, here's a brief look at what I go through as far as camera & lens selection, lighting equipment, the whole bit. There are a few more big basketball games coming up (both HS & college) in the next few weeks, so now is as good a time as any to continue getting the bugs out of my equipment systems, and shake the rust off while actually working these games. Thanks for looking... ~cg.

Cameron Meyer of Kingston swims the 100 meter freestyle to finish second at 53.9 during their Boys varsity swim meet against Monroe-Woodbury at Monroe-Woodbury Middle School in Central Valley, NY on Tuesday, January 17, 2012. CHET GORDON/Times Herald-Record

Elijah Ghrael (#22) converts his second free throw to put NFA ahead by one point, 65 - 64 in the closing seconds of their game against Middletown in Newburgh, NY on Thursday, January 12, 2012. Ghrael had 15 points as NFA defeated Middletown 65 - 64. CHET GORDON/Times Herald-Record

In Praise of "Long Glass..." 22•Oct.•11

I am working on a new post highlighting my use of long telephoto lenses (or what's commonly labeled "super-telephotos" in the camera manufacturer's jargon). For photographing sports and an occasional news assignment with "Joe-subject" at a distant podium, while we're positioned on those annoying press risers - there's no substitute for me, as my main camera for game coverage is usually something "long" - either a 300mm, 400mm, and occasionally a 600mm. This image from a high school game yesterday was made on a 600mm. (Actually a 300mm f/2.8 auto-focus with a 2x tele-extender attached, but who's counting millimeter's anyway...?) Losing the two f/stops and shooting at f/5.6 or higher isn't a bad trade off for the gain in focal length to 600mm, especially under ideal conditions.
Stay tuned... ~cg.

*The making of a meaningful (sports) portrait. Feb. 2010

Eric Culver of New Paltz High School photographed in the pool at SUNY New Paltz in New Paltz, NY on Friday, February 19, 2010. Culver is an Olympic hopeful, qualifying for the 2012 U.S. Olympic trials. Times Herald-Record/CHET GORDON
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*Sometimes you hit a home run. With the bases loaded, in the bottom of the ninth inning. And everybody gets to go home happy. (Even if it's the middle of February and this "playing field" happens to be in the shallow end of a competitive swimming pool at a local college...)

I'd been thinking about the above image last week and how it was all meticulously planned out in my head even before arriving at the pool. I probably started thinking about making this image a week ahead of time when I first saw the assignment on the schedule, but it hadn't been given to a photographer yet. I began "imagining" how I'd want to photograph our local HS swimming sensation, Eric Culver during a morning practice. I'd already photographed him in action a few times at meets (at left, also lit with multiple strobes) and at the Empire State Games a few summers ago as well. The kid was very agreeable to my idea, as were his two coaches. That was a big help, and everyone was enthusiastic. I just had to wait until practice was over, as I wanted to make sure there weren't going to be any unnecessary waves in the pool. Yes, besides planning everything down to the last detail of utilizing two or three small camera flashes with snoots to light the subject, I was planning on getting in the water with Eric. Having never seen this particular college pool, I gave a silent sigh of relief to myself when there actually was a shallow end at the starting blocks. Couldn't imagine attempting this image if the pool didn't have a shallow end for me to stand up in. While the team continued practice for another hour or so, that time allowed me to properly set-up my remote lighting kit with Pocket-Wizard radios & transmitters (I went with three strobes) and shot quite a few test images (above) at various exposures, - well ahead of time before I was going to step into the pool. I kind of figured that I'd want to keep the shooting time for me in the water to only a few minutes, so when I did get out of the water, I'd better have all the images I wanted.
While waiting for practice to end, I manged to make a few simple portraits of Eric (at right) when he paused at the starting blocks to talk to one of the coaches. There was this wonderful window light coming in through a bank of large frosted glass windows behind the starting blocks, and when he sat on the blocks between practice starts - it was just a ready made feature portrait there for me to make too. On these quick images, you can actually see where the strobes fired to sort of give a little fill - light on his right arm, shoulder, and face as well. That light is coming from the far strobe that I placed on the lifeguard chair near the far end of the pool. Everything worked and one of the coaches even changed lenses for me at poolside while I was in the water. I remember the camera strap getting wet, and verbally reminding myself not to let the camera go, even if the wet strap was around my neck, as we were both standing in waist deep water.
One of the biggest factors in completing a portrait session like this or any other non-typical assignment for me is to obviously be prepared with all your gear & well thought out routine all ready to go - including a backup plan if needed, be confident that you can accomplish the assignment, let the subject and support people know what you're trying to do to create the type of images you set out to do, and most of all - have fun...!!! ~cg.